https://seonahjo.com eco-echo Tue, 15 Sep 2026 18:05:14 +0000 https://seonahjo.com en https://seonahjo.com/Top-nav-1 Sat, 25 Dec 2021 06:53:28 +0000 eco-echo https://seonahjo.com/Top-nav-1 eco-echo Information Index https://seonahjo.com/Mobile-header-1 Sat, 25 Dec 2021 06:53:28 +0000 eco-echo https://seonahjo.com/Mobile-header-1 &nbsp;eco-echo <img width="2560" height="1440" width_o="2560" height_o="1440" data-src="https://freight.cargo.site/t/original/i/957d44cedffa154477c8de7c5487adb56ab80f9456d3af147a374edfb5435724/.png" data-mid="128300931" border="0" src="https://freight.cargo.site/w/1000/i/957d44cedffa154477c8de7c5487adb56ab80f9456d3af147a374edfb5435724/.png" /> https://seonahjo.com/Making-1 Tue, 15 Sep 2026 17:18:52 +0000 eco-echo https://seonahjo.com/Making-1 Making eedophone 2026 <img width="720" height="1280" width_o="720" height_o="1280" data-src="https://freight.cargo.site/t/original/i/8b6f773b8df73b878701ebea1cd8e4f992e494129b1ba69f63f305b6c3038757/ezgif-61ee865e6061afb8.gif" data-mid="252186798" border="0" src="https://freight.cargo.site/w/720/i/8b6f773b8df73b878701ebea1cd8e4f992e494129b1ba69f63f305b6c3038757/ezgif-61ee865e6061afb8.gif" /> [eedophone] I made a string instrument and named it “eedophone.” The name combines 'ee' (이), the Korean word for “teeth/tooth” and 'do' (도), from 'jeondo' (전도 傳導), meaning “conduction.” It is inspired by the concepts of bone conduction and idiophones, bringing together the ideas of teeth, bodily vibration, conduction, and sound. When I play the eedophone, I imagine the Wonhwa. The Wonhwa were a group of women in Silla who preceded the Hwarang and were part of an early system for selecting and cultivating talented young people. For generations, people on the Korean Peninsula have been skilled archers. I used gayageum strings.☞ archive video https://seonahjo.com/Making-2 Tue, 15 Sep 2026 17:31:06 +0000 eco-echo https://seonahjo.com/Making-2 Making Pungmul Chabi 風物差備 2022 <img width="3264" height="4928" width_o="3264" height_o="4928" data-src="https://freight.cargo.site/t/original/i/db0a21947c719736bd1c0935bbaf2d89386fd9aede76585ad0c788901cf42f03/R0004116.JPG" data-mid="252186835" border="0" src="https://freight.cargo.site/w/1000/i/db0a21947c719736bd1c0935bbaf2d89386fd9aede76585ad0c788901cf42f03/R0004116.JPG" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/7161ecbd8d3a540d7c062bd0973f5d2147995e8549e8e6a086e94c5c7d488179/241220__026.jpg" data-mid="252186879" border="0" src="https://freight.cargo.site/w/1000/i/7161ecbd8d3a540d7c062bd0973f5d2147995e8549e8e6a086e94c5c7d488179/241220__026.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/eaf14cdb8c0946c33bc14745e4a277eb8403c9f0359dbfac43c0acde4f290a0c/DSC_4489.jpg" data-mid="252186856" border="0" src="https://freight.cargo.site/w/1000/i/eaf14cdb8c0946c33bc14745e4a277eb8403c9f0359dbfac43c0acde4f290a0c/DSC_4489.jpg" /> <img width="5788" height="3859" width_o="5788" height_o="3859" data-src="https://freight.cargo.site/t/original/i/da4a442015738d3780e93f47a9f77dadbfe508fca6752cf2aa04c2573d00b2e6/IMG_0041.JPG" data-mid="252186862" border="0" src="https://freight.cargo.site/w/1000/i/da4a442015738d3780e93f47a9f77dadbfe508fca6752cf2aa04c2573d00b2e6/IMG_0041.JPG" /> [Pungmul Chabi 風物差備] The Gayageum is a Korean zither-like string instrument. When exposed to the breeze from an electric fan, its strings resonate and produce sound. Though calm and composed on the outside, the many sounds emerging from within evoke the inner lives of women in the past. “Pungmul Chabi” refers to female musicians who performed in spaces off-limits to men during the Joseon Dynasty. Here, “pung” means “wind,” and “mul” means “object.” Additionally, “pung” can mean “music,” so “pungmul” refers to musical instruments. I view the [Pungmul Chabi] I created as something akin to an automatic musical instrument. ☞ archive video https://seonahjo.com/Sound Tue, 15 Sep 2026 15:55:46 +0000 eco-echo https://seonahjo.com/Sound Sound Specter-Tradition 2026 <img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/cc74a198144a03366db3ce86b8e87da9ccb807231e81121d0e4a2cdcd06a1de4/POK00146.JPG" data-mid="252186152" border="0" src="https://freight.cargo.site/w/1000/i/cc74a198144a03366db3ce86b8e87da9ccb807231e81121d0e4a2cdcd06a1de4/POK00146.JPG" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/3abcca2f59d34aba8b5e9be40fe9a365700e7623e01b2fb8bda62a506b65768c/_.jpg" data-mid="252186163" border="0" src="https://freight.cargo.site/w/1000/i/3abcca2f59d34aba8b5e9be40fe9a365700e7623e01b2fb8bda62a506b65768c/_.jpg" /> <img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/98712d5b32980d7a87ff16f43bfac34069bf9e06f969329f1b2fb2a5a26bddd4/POK00385.JPG" data-mid="252186145" border="0" src="https://freight.cargo.site/w/1000/i/98712d5b32980d7a87ff16f43bfac34069bf9e06f969329f1b2fb2a5a26bddd4/POK00385.JPG" /> <img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/25091b60e2519d2843105ddc4c45cd47dd28b0426b2df276baa5120b547b7b9e/POK00590.JPG" data-mid="252186147" border="0" src="https://freight.cargo.site/w/1000/i/25091b60e2519d2843105ddc4c45cd47dd28b0426b2df276baa5120b547b7b9e/POK00590.JPG" /> <img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/e91f01d98591c591665c9aa3df3498f877bec6deac2443379b9130653902f796/POK00336.JPG" data-mid="252186144" border="0" src="https://freight.cargo.site/w/1000/i/e91f01d98591c591665c9aa3df3498f877bec6deac2443379b9130653902f796/POK00336.JPG" /> <img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/a143d9e3a103f4244bec9ccee20371a5ccef58a8291a641278192d71053f0e34/POK00708.JPG" data-mid="252186148" border="0" src="https://freight.cargo.site/w/1000/i/a143d9e3a103f4244bec9ccee20371a5ccef58a8291a641278192d71053f0e34/POK00708.JPG" /> <img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/88cb33493aadc9ffb7208f225aefe625fda26c2cfa250ef610d125b52a134749/POK00528.JPG" data-mid="252186146" border="0" src="https://freight.cargo.site/w/1000/i/88cb33493aadc9ffb7208f225aefe625fda26c2cfa250ef610d125b52a134749/POK00528.JPG" /> <img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/5807311f29393fbec3464906b2667028de3f6a6d39bb55a459d9d7218e6f88da/POK00002.JPG" data-mid="252186154" border="0" src="https://freight.cargo.site/w/1000/i/5807311f29393fbec3464906b2667028de3f6a6d39bb55a459d9d7218e6f88da/POK00002.JPG" /> <img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/5dd0f8f3c6cd1ae28a7dddeb458fd07a1d906465b9e4989f2abc5aa929172750/POK00269.JPG" data-mid="252186149" border="0" src="https://freight.cargo.site/w/1000/i/5dd0f8f3c6cd1ae28a7dddeb458fd07a1d906465b9e4989f2abc5aa929172750/POK00269.JPG" /> &lt;Specter-Tradition&gt; &lt;Specter-Tradition&gt; is a 12-minute reworking of a 3-minute sound piece originally created for the 2020 STEP by SPAF performance {Conditions of Tradition} by the collaborative performance group “Project.Gaeng.” &nbsp;Project.Gaeng is a collaborative team centered around four members: director and performer Kim Ki-young, and performers Kim Hae-min, Im Dong-sik, and Jo Seon-ah (myself). 2018–2021 {Streets and the Crow}, which explored how tradition exists and functions within a modern social context through street performances throughout the city 2019–2020 {Conditions of Tradition}, which presented the sociocultural conditions underpinning modern Korean tradition—as researched by a professional performing artist—through exhibitions and documentary theater {Streets and the Crow} and {Conditions of Tradition} are projects directly related to [Spectre-Tradition]. The sound sources included field recordings from the performance {Streets and the Crow}, sounds used in that performance, sounds and research materials from the performance {Conditions of Tradition}, and a live recording of the performance {Chaosmos Rhythm Chaosmos}. &nbsp;By altering the timing and pitch of the sounds, I sought to evoke an image of tradition—ghostlike, having neither lived nor died—through the sensation of distorted sound. I used panning to convey the sense of the street parade in motion, delay to create an echo that reverberates hollowly, and human speech (in Korean) to suggest the discourse surrounding tradition or the feeling of various voices floating in the air. ☞ video ☞ sound https://seonahjo.com/Video-4 Tue, 15 Sep 2026 18:05:14 +0000 eco-echo https://seonahjo.com/Video-4 Video How to play the Traditional Gayageum 2019 <img width="5962" height="3355" width_o="5962" height_o="3355" data-src="https://freight.cargo.site/t/original/i/418876144cdd6beb37c893ef232f35ff45a5a63b889da0a43445a86be7e68db6/_HYO1612.jpg" data-mid="252187475" border="0" src="https://freight.cargo.site/w/1000/i/418876144cdd6beb37c893ef232f35ff45a5a63b889da0a43445a86be7e68db6/_HYO1612.jpg" /> <img width="6000" height="3376" width_o="6000" height_o="3376" data-src="https://freight.cargo.site/t/original/i/bc495623dfc7bf708030d8c2e4aeece4dca10191d6b72aca11422a4fa3f80f87/_HYO1773.jpg" data-mid="252187472" border="0" src="https://freight.cargo.site/w/1000/i/bc495623dfc7bf708030d8c2e4aeece4dca10191d6b72aca11422a4fa3f80f87/_HYO1773.jpg" /> <img width="6000" height="3376" width_o="6000" height_o="3376" data-src="https://freight.cargo.site/t/original/i/a8bb5cb0f7ba736747d4ca88f75dd4f9273fd7e146726a94322f3bdefceefbc1/_HYO1780.jpg" data-mid="252187471" border="0" src="https://freight.cargo.site/w/1000/i/a8bb5cb0f7ba736747d4ca88f75dd4f9273fd7e146726a94322f3bdefceefbc1/_HYO1780.jpg" /> <img width="6000" height="3376" width_o="6000" height_o="3376" data-src="https://freight.cargo.site/t/original/i/1ffb74d282e390f8a63d8b9e5a9c388f078ac61519e1a25a9655db0945f6d4b1/_HYO1770.jpg" data-mid="252187474" border="0" src="https://freight.cargo.site/w/1000/i/1ffb74d282e390f8a63d8b9e5a9c388f078ac61519e1a25a9655db0945f6d4b1/_HYO1770.jpg" /> <img width="6000" height="3376" width_o="6000" height_o="3376" data-src="https://freight.cargo.site/t/original/i/a9652fd6076c788444e6fcdbfe7002b1e66630d66d14bdafd4fee052f778edfc/_HYO1570.jpg" data-mid="252187476" border="0" src="https://freight.cargo.site/w/1000/i/a9652fd6076c788444e6fcdbfe7002b1e66630d66d14bdafd4fee052f778edfc/_HYO1570.jpg" /> &lt;How to play the Traditional Gayageum&gt; Part 5 [representation-tradition]⠀ How do the norms governing women’s bodies reproduce traditional aesthetic values? &lt;How to Play the Traditional Gayageum&gt; focuses on the phenomenon of traditional beauty being reenacted through female performers. She is the body that reenacts the aesthetic values of tradition that must be preserved. The logic of patriarchy genderizes and hierarchically reproduces the dual mission of tradition.1. Apply makeup neatly 2. Use gel to create a 5:5 part 3. Attach the side bun and insert a hairpin 4. Put on an underskirt, then put on the hanbok skirt and jacket 5. Oh, put on the traditional socks 6. Hold the gayageum so the front is visible, hold the skirt with your other hand, and enter the stage 7. Set down the gayageum and spread the skirt out in a circle 8. Straighten the sash 9. Bring your hands together with your right hand on top, count “one, two, three” as you lower them, then count “one, two, three” as you raise them 10. Hold the gayageum so the front is visible, hold the skirt with your other hand, and exit ☞ video Conditions of Tradition (2019–20) was a research-based exhibition and performance project that examined how tradition is constructed and sustained in contemporary society. Rather than treating tradition as a fixed entity, the project approached it as a practice shaped by multiple historical, social, and institutional conditions, critically investigating the structures that produce and reproduce traditional arts. My contribution focused on Representation-Tradition, exploring how the bodies of female performers function as sites through which traditional aesthetics and cultural norms are enacted and maintained. This research was presented through the exhibition work How to Play the Traditional Gayageum. The project became an important starting point for my ongoing interest in the body, femininity, gisaeng culture, and the ways traditional arts are embodied, represented, and transmitted. These questions continue to inform my current research on Gyeonggi Japga. https://seonahjo.com/Performance-2 Tue, 15 Sep 2026 16:41:05 +0000 eco-echo https://seonahjo.com/Performance-2 Performance Dear Rainbow Deer 2026 <img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/d1d694535f679da0ebeca50ba49cfb3958f2f1beee919826b3d6ce5c411372e8/IMG_7575.JPG" data-mid="252186281" border="0" src="https://freight.cargo.site/w/1000/i/d1d694535f679da0ebeca50ba49cfb3958f2f1beee919826b3d6ce5c411372e8/IMG_7575.JPG" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/994317e872c6649e89c6204caa525412ed965a26d749091eff1430f49b8e3683/IMG_9851.png" data-mid="252186288" border="0" src="https://freight.cargo.site/w/1000/i/994317e872c6649e89c6204caa525412ed965a26d749091eff1430f49b8e3683/IMG_9851.png" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/396c875e2f84ca61514ac780e49e5da6a2f4a76c601f22e8a52b010eb012f393/IMG_7657.jpeg" data-mid="252186323" border="0" src="https://freight.cargo.site/w/1000/i/396c875e2f84ca61514ac780e49e5da6a2f4a76c601f22e8a52b010eb012f393/IMG_7657.jpeg" /> <img width="1538" height="2048" width_o="1538" height_o="2048" data-src="https://freight.cargo.site/t/original/i/a7678747b621743e786147a843229375b11395509f909024ac731901897e33fb/IMG_9868.JPG" data-mid="252186598" border="0" src="https://freight.cargo.site/w/1000/i/a7678747b621743e786147a843229375b11395509f909024ac731901897e33fb/IMG_9868.JPG" /> <img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/c24897494068b49d27eb20bf694a2981ed47d3ffc9e214624aab9ed7803ac7cb/IMG_9825.JPG" data-mid="252187299" border="0" src="https://freight.cargo.site/w/1000/i/c24897494068b49d27eb20bf694a2981ed47d3ffc9e214624aab9ed7803ac7cb/IMG_9825.JPG" /> 【Dear Rainbow Deer】 This work is about memory. From August 13 to 31, 2026, we lived together. We taught each other songs, shared tongue twisters from our respective countries, swam together, played ping-pong, ate ice cream, made a desert and sang a song together for someone’s mother on her birthday. Knowing that once we part ways, we may never meet again, we immerse ourselves in memories even before saying goodbye. I created a guide track using sounds I had recorded over time. Two other members, who enjoyed recording in their daily lives, also recorded on stage. One of them connected their recording to an amplifier and played it back live. Sharing Ice cream, Drawing&nbsp; &nbsp;Nikki Tongue Twister&nbsp; &nbsp;Chanan Ben Simon, Ghazar Teknejyan Habbit Word &nbsp; &nbsp;Bonita Oliver, Leah King (+baking),&nbsp; &nbsp; Ignat Khlobystin (+Beat Box), Miles Jefferson Friday Playing Ping-Pong &nbsp; &nbsp;Francesca Naibo, Christina Fuchs Playing ShaKuhachi&nbsp;&nbsp; &nbsp;Jeffrey Lependorf Recording &nbsp; &nbsp;Santiago Botero, Huichun Yang (Live) ☞ performance documentat ☞ guide sound ☞ score https://seonahjo.com/Performance-3 Tue, 15 Sep 2026 17:46:55 +0000 eco-echo https://seonahjo.com/Performance-3 Performance 9 mornings / 1 night pracitce 2026 <img width="2142" height="1701" width_o="2142" height_o="1701" data-src="https://freight.cargo.site/t/original/i/afa5e3c37887009830e41ed827c8413f9de267b13b32636771f174fdda270ba2/-2026-09-16--2.52.13.png" data-mid="252187022" border="0" src="https://freight.cargo.site/w/1000/i/afa5e3c37887009830e41ed827c8413f9de267b13b32636771f174fdda270ba2/-2026-09-16--2.52.13.png" /> <img width="1538" height="2048" width_o="1538" height_o="2048" data-src="https://freight.cargo.site/t/original/i/8cd6e414677241d269c1c36fcd844a20bc7c8a5c58b29d7ab32ba34587736e61/IMG_9864.JPG" data-mid="252186940" border="0" src="https://freight.cargo.site/w/1000/i/8cd6e414677241d269c1c36fcd844a20bc7c8a5c58b29d7ab32ba34587736e61/IMG_9864.JPG" /> 【9 mornings / 1 night pracitce】 Ignat Khlobystin and I met at art omi music and practiced improvisation together every day for ten days. Nine of those sessions took place in the morning, and one took place at night. These improvisations became our friendship and our shared search for common ground and difference. We experimented, grasping states that were new to us, often without looking back. We learned how to attune and synchronize our frequencies with one another. With our backs against each other, we breathe together, creating a shared flow as well as our own individual flows. ☞ performance documentation https://seonahjo.com/Movie Tue, 15 Sep 2026 15:55:50 +0000 eco-echo https://seonahjo.com/Movie Movie La Plante dansante de désastres 2026 <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1b901450af0c387bd1dac8ea90b608fcf2d862e0bc83928ba4bc94b70a09cd41/-_1.1.1.png" data-mid="252184971" border="0" src="https://freight.cargo.site/w/1000/i/1b901450af0c387bd1dac8ea90b608fcf2d862e0bc83928ba4bc94b70a09cd41/-_1.1.1.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/29a0679b70da6eda45c05b5b53d79b1b7dbb2bc46ffa726e974d073309f24fb0/-_1.1.3.png" data-mid="252184973" border="0" src="https://freight.cargo.site/w/1000/i/29a0679b70da6eda45c05b5b53d79b1b7dbb2bc46ffa726e974d073309f24fb0/-_1.1.3.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/275b6c4a015a47135a8fb22ee6b57841cdd4e610916d4795f783ebcff5f5dc51/-_1.1.2.png" data-mid="252184972" border="0" src="https://freight.cargo.site/w/1000/i/275b6c4a015a47135a8fb22ee6b57841cdd4e610916d4795f783ebcff5f5dc51/-_1.1.2.png" /> &lt;La Plante dansante de désastres&gt;&lt;La Plante dansante de désastres&gt; is a live-action sound film based on the performance 【La plante dansante de désastres】. The images of the sea, filmed in Buan, North Jeolla Province, create a mise-en-scène distinct from that of the monochromatic light stage. It was screened at the 27th Jeonju International Film Festival. ☞ Jeonju International Film FestivalDirectorJO Seon-ah, PARK SyeyoungProducerPARK SyeyoungFilm ScoreJO SeonahEditorPARK SyeyoungSoundJO SeonahCastJO Seonah https://seonahjo.com/Sound-2 Tue, 15 Sep 2026 16:28:50 +0000 eco-echo https://seonahjo.com/Sound-2 Sound The Masked Monster 2025 <img width="259" height="194" width_o="259" height_o="194" data-src="https://freight.cargo.site/t/original/i/6febafe255e03091fbdaa584c3a96c4edf91ab61656196b01c03ec68b766253f/images.jpeg" data-mid="252186100" border="0" src="https://freight.cargo.site/w/259/i/6febafe255e03091fbdaa584c3a96c4edf91ab61656196b01c03ec68b766253f/images.jpeg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/42758b17e739d1fbdccdac323250a8b415222865c9fab9e94931be3e9b515710/13thMJFF__8.JPG" data-mid="252186101" border="0" src="https://freight.cargo.site/w/1000/i/42758b17e739d1fbdccdac323250a8b415222865c9fab9e94931be3e9b515710/13thMJFF__8.JPG" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/7c0af6cb50ae120cdbfe5955b0022d0b5d24b910c738ce9443c8e6fb5434756c/13thMJFF__10.jpg" data-mid="252186110" border="0" src="https://freight.cargo.site/w/1000/i/7c0af6cb50ae120cdbfe5955b0022d0b5d24b910c738ce9443c8e6fb5434756c/13thMJFF__10.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/2602512de52080fbcec636b14d45da0c551a21bac5e4478050c6e6ba9bba036b/13thMJFF__5.jpg" data-mid="252186106" border="0" src="https://freight.cargo.site/w/1000/i/2602512de52080fbcec636b14d45da0c551a21bac5e4478050c6e6ba9bba036b/13thMJFF__5.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/7f497806415c4f57b37d26939d29481acfd9d234f54ae33396d6fd12ff1e3a3a/13thMJFF__3.jpg" data-mid="252186109" border="0" src="https://freight.cargo.site/w/1000/i/7f497806415c4f57b37d26939d29481acfd9d234f54ae33396d6fd12ff1e3a3a/13thMJFF__3.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/753ff758980156c5930e409026262e937f6bbbae29a4e2beb80dc7bda1d15fec/13thMJFF__7.jpg" data-mid="252186108" border="0" src="https://freight.cargo.site/w/1000/i/753ff758980156c5930e409026262e937f6bbbae29a4e2beb80dc7bda1d15fec/13thMJFF__7.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/0b9a06fd4acccf2f1c8bb681c87676ad468df4ca3827db8cfdac07d95a36038c/13thMJFF__4.jpg" data-mid="252186107" border="0" src="https://freight.cargo.site/w/1000/i/0b9a06fd4acccf2f1c8bb681c87676ad468df4ca3827db8cfdac07d95a36038c/13thMJFF__4.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/cbb028c36341625a21f57f1413d906b02dd0ca23afe39c5c4548788778c007ce/13thMJFF__11.jpg" data-mid="252186103" border="0" src="https://freight.cargo.site/w/1000/i/cbb028c36341625a21f57f1413d906b02dd0ca23afe39c5c4548788778c007ce/13thMJFF__11.jpg" /> &lt;The Masked Monster&gt; (color ver.)This is a feature film directed by Park Syeyoung. It was screened with a live musical performance at the 13th Muju Mountain Film Festival in 2025. ☞ performance documentation☞ sound DirectorPARK SyeyoungProducerPARK SyeyoungFilm ScoreJO SeonahEditorPARK SyeyoungSoundJO SeonahCastPARK Syeyoung