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<channel>
	<title>eco-echo</title>
	<link>https://seonahjo.com</link>
	<description>eco-echo</description>
	<pubDate>Tue, 15 Sep 2026 17:46:55 +0000</pubDate>
	<generator>https://seonahjo.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Top nav</title>
				
		<link>https://seonahjo.com/Top-nav-1</link>

		<pubDate>Sat, 25 Dec 2021 06:53:28 +0000</pubDate>

		<dc:creator>eco-echo</dc:creator>

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		<description>
	eco-echo
	Information
	Index
	
</description>
		
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	<item>
		<title>Mobile header</title>
				
		<link>https://seonahjo.com/Mobile-header-1</link>

		<pubDate>Sat, 25 Dec 2021 06:53:28 +0000</pubDate>

		<dc:creator>eco-echo</dc:creator>

		<guid isPermaLink="true">https://seonahjo.com/Mobile-header-1</guid>

		<description>
	&#38;nbsp;eco-echo

	&#60;img width="2560" height="1440" width_o="2560" height_o="1440" data-src="https://freight.cargo.site/t/original/i/957d44cedffa154477c8de7c5487adb56ab80f9456d3af147a374edfb5435724/.png" data-mid="128300931" border="0"  src="https://freight.cargo.site/w/1000/i/957d44cedffa154477c8de7c5487adb56ab80f9456d3af147a374edfb5435724/.png" /&#62;
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	<item>
		<title>DIY</title>
				
		<link>https://seonahjo.com/DIY</link>

		<pubDate>Tue, 15 Sep 2026 17:18:52 +0000</pubDate>

		<dc:creator>eco-echo</dc:creator>

		<guid isPermaLink="true">https://seonahjo.com/DIY</guid>

		<description>
	DIY
	eedophone
	2026


	
&#60;img width="720" height="1280" width_o="720" height_o="1280" data-src="https://freight.cargo.site/t/original/i/8b6f773b8df73b878701ebea1cd8e4f992e494129b1ba69f63f305b6c3038757/ezgif-61ee865e6061afb8.gif" data-mid="252186798" border="0"  src="https://freight.cargo.site/w/720/i/8b6f773b8df73b878701ebea1cd8e4f992e494129b1ba69f63f305b6c3038757/ezgif-61ee865e6061afb8.gif" /&#62;

	
	[eedophone]
I made a string instrument and named it “eedophone.”

The name combines 'ee' (이), the Korean word for “teeth/tooth” and 'do' (도), from 'jeondo' (전도 傳導), meaning “conduction.” It is inspired by the concepts of bone conduction and idiophones, bringing together the ideas of teeth, bodily vibration, conduction, and sound.
Unlike the gayageum, the eedophone allows me to play while standing, moving, and changing direction. I am interested in what happens when a body shaped through years of gayageum playing encounters an instrument of its own making.





When I play the eedophone, I imagine the Wonhwa.
The Wonhwa were a group of women in Silla who preceded the Hwarang and were part of an early system for selecting and cultivating talented young people.
For generations, people on the Korean Peninsula have been skilled archers.
I used Gayageum strings, Ajaeng bow, LOM Geofón, DIY waterproof piezoelectric microphoneDeveloped and first built during the Art Omi: Music Residency, 2026
☞ archive video

</description>
		
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	<item>
		<title>Sound </title>
				
		<link>https://seonahjo.com/Sound</link>

		<pubDate>Tue, 15 Sep 2026 15:55:46 +0000</pubDate>

		<dc:creator>eco-echo</dc:creator>

		<guid isPermaLink="true">https://seonahjo.com/Sound</guid>

		<description>
	Sound
	Specter-Tradition
	2026


	
&#60;img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/cc74a198144a03366db3ce86b8e87da9ccb807231e81121d0e4a2cdcd06a1de4/POK00146.JPG" data-mid="252186152" border="0"  src="https://freight.cargo.site/w/1000/i/cc74a198144a03366db3ce86b8e87da9ccb807231e81121d0e4a2cdcd06a1de4/POK00146.JPG" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/3abcca2f59d34aba8b5e9be40fe9a365700e7623e01b2fb8bda62a506b65768c/_.jpg" data-mid="252186163" border="0"  src="https://freight.cargo.site/w/1000/i/3abcca2f59d34aba8b5e9be40fe9a365700e7623e01b2fb8bda62a506b65768c/_.jpg" /&#62;
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&#60;img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/5dd0f8f3c6cd1ae28a7dddeb458fd07a1d906465b9e4989f2abc5aa929172750/POK00269.JPG" data-mid="252186149" border="0"  src="https://freight.cargo.site/w/1000/i/5dd0f8f3c6cd1ae28a7dddeb458fd07a1d906465b9e4989f2abc5aa929172750/POK00269.JPG" /&#62;

	
	&#38;lt;Specter-Tradition&#38;gt;
&#38;lt;Specter-Tradition&#38;gt; is a 12-minute reworking of a 3-minute sound piece originally created for the 2020 STEP by SPAF performance {Conditions of Tradition} by the co-work performance group Project Gaeng.
&#38;nbsp;Project.gaeng is a collaborative team centered around four members: director and performer Kim Gi-young, and performers Kim Hae-min, Im Dong-sik, and Jo Seon-ah (myself).

2018–2021 {Streets and the Crow}, which explored how tradition exists and functions within a modern social context through street performances throughout the city

2019–2020 {Conditions of Tradition}, which presented the sociocultural conditions underpinning modern Korean tradition—as researched by a professional performing artist—through exhibitions and documentary theater

 
{Streets and the Crow} and {Conditions of Tradition} are projects directly related to [Specter-Tradition]. The sound sources included field recordings from the performance {Streets and the Crow}, sounds used in that performance, sounds and research materials from the performance {Conditions of Tradition}, and a live recording of the performance {Chaosmos Rhythm Chaosmos}. &#38;nbsp;By altering the timing and pitch of the sounds, I sought to evoke an image of tradition—ghostlike, having neither lived nor died—through the sensation of distorted sound. I used panning to convey the sense of the street parade in motion, delay to create an echo that reverberates hollowly, and human speech (in Korean) to suggest the discourse surrounding tradition or the feeling of various voices floating in the air.
☞ video
☞ sound
</description>
		
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	<item>
		<title>Performance</title>
				
		<link>https://seonahjo.com/Performance-2</link>

		<pubDate>Tue, 15 Sep 2026 16:41:05 +0000</pubDate>

		<dc:creator>eco-echo</dc:creator>

		<guid isPermaLink="true">https://seonahjo.com/Performance-2</guid>

		<description>
	Performance
	Dear Rainbow Deer
	2026


	
&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/d1d694535f679da0ebeca50ba49cfb3958f2f1beee919826b3d6ce5c411372e8/IMG_7575.JPG" data-mid="252186281" border="0"  src="https://freight.cargo.site/w/1000/i/d1d694535f679da0ebeca50ba49cfb3958f2f1beee919826b3d6ce5c411372e8/IMG_7575.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/994317e872c6649e89c6204caa525412ed965a26d749091eff1430f49b8e3683/IMG_9851.png" data-mid="252186288" border="0"  src="https://freight.cargo.site/w/1000/i/994317e872c6649e89c6204caa525412ed965a26d749091eff1430f49b8e3683/IMG_9851.png" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/396c875e2f84ca61514ac780e49e5da6a2f4a76c601f22e8a52b010eb012f393/IMG_7657.jpeg" data-mid="252186323" border="0"  src="https://freight.cargo.site/w/1000/i/396c875e2f84ca61514ac780e49e5da6a2f4a76c601f22e8a52b010eb012f393/IMG_7657.jpeg" /&#62;
&#60;img width="1538" height="2048" width_o="1538" height_o="2048" data-src="https://freight.cargo.site/t/original/i/a7678747b621743e786147a843229375b11395509f909024ac731901897e33fb/IMG_9868.JPG" data-mid="252186598" border="0"  src="https://freight.cargo.site/w/1000/i/a7678747b621743e786147a843229375b11395509f909024ac731901897e33fb/IMG_9868.JPG" /&#62;
&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/c24897494068b49d27eb20bf694a2981ed47d3ffc9e214624aab9ed7803ac7cb/IMG_9825.JPG" data-mid="252187299" border="0"  src="https://freight.cargo.site/w/1000/i/c24897494068b49d27eb20bf694a2981ed47d3ffc9e214624aab9ed7803ac7cb/IMG_9825.JPG" /&#62;

	
	【Dear Rainbow Deer】
This work is about memory.
From August 13 to 31, 2026, we lived together.
We taught each other songs, shared tongue twisters from our respective countries, swam together, played ping-pong, ate ice cream, made a desert and sang a song together for someone’s mother on her birthday. 
Knowing that once we part ways, we may never meet again, we immerse ourselves in memories even before saying goodbye. I created a guide track using sounds I had recorded over time. Two other members, who enjoyed recording in their daily lives, also recorded on stage. One of them connected their recording to an amplifier and played it back live. Sharing Ice cream, Drawing&#38;nbsp; &#38;nbsp;Nikki
Tongue Twister&#38;nbsp; &#38;nbsp;Chanan Ben Simon, Ghazar Teknejyan
Habbit Word &#38;nbsp; &#38;nbsp;Bonita Oliver, Leah King (+baking),&#38;nbsp; &#38;nbsp; Ignat Khlobystin (+Beat Box), Miles Jefferson Friday
Playing Ping-Pong &#38;nbsp; &#38;nbsp;Francesca Naibo, Christina Fuchs
Playing ShaKuhachi&#38;nbsp;&#38;nbsp; &#38;nbsp;Jeffrey Lependorf
Recording &#38;nbsp; &#38;nbsp;Santiago Botero, Huichun Yang (Live)

☞ performance documentatation
☞ guide sound
☞ score

</description>
		
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	<item>
		<title>Performance</title>
				
		<link>https://seonahjo.com/Performance-3</link>

		<pubDate>Tue, 15 Sep 2026 17:46:55 +0000</pubDate>

		<dc:creator>eco-echo</dc:creator>

		<guid isPermaLink="true">https://seonahjo.com/Performance-3</guid>

		<description>
	Performance
	9 mornings / 1 night pracitce
	2026


	
&#60;img width="2142" height="1701" width_o="2142" height_o="1701" data-src="https://freight.cargo.site/t/original/i/afa5e3c37887009830e41ed827c8413f9de267b13b32636771f174fdda270ba2/-2026-09-16--2.52.13.png" data-mid="252187022" border="0"  src="https://freight.cargo.site/w/1000/i/afa5e3c37887009830e41ed827c8413f9de267b13b32636771f174fdda270ba2/-2026-09-16--2.52.13.png" /&#62;
&#60;img width="1538" height="2048" width_o="1538" height_o="2048" data-src="https://freight.cargo.site/t/original/i/8cd6e414677241d269c1c36fcd844a20bc7c8a5c58b29d7ab32ba34587736e61/IMG_9864.JPG" data-mid="252186940" border="0"  src="https://freight.cargo.site/w/1000/i/8cd6e414677241d269c1c36fcd844a20bc7c8a5c58b29d7ab32ba34587736e61/IMG_9864.JPG" /&#62;

	
	【9 mornings / 1 night pracitce】
Ignat Khlobystin and I met at art omi music and practiced improvisation together every day for ten days. 
Nine of those sessions took place in the morning, and one took place at night. 
These improvisations became our friendship and our shared search for common ground and difference. We experimented, grasping states that were new to us, often without looking back.
We learned how to attune and synchronize our frequencies with one another.
With our backs against each other, we breathe together, creating a shared flow as well as our own individual flows.

☞ performance documentation

</description>
		
	</item>
		
		
	<item>
		<title>Movie</title>
				
		<link>https://seonahjo.com/Movie</link>

		<pubDate>Tue, 15 Sep 2026 15:55:50 +0000</pubDate>

		<dc:creator>eco-echo</dc:creator>

		<guid isPermaLink="true">https://seonahjo.com/Movie</guid>

		<description>
	Movie
	La Plante dansante de désastres
	2026


	
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1b901450af0c387bd1dac8ea90b608fcf2d862e0bc83928ba4bc94b70a09cd41/-_1.1.1.png" data-mid="252184971" border="0"  src="https://freight.cargo.site/w/1000/i/1b901450af0c387bd1dac8ea90b608fcf2d862e0bc83928ba4bc94b70a09cd41/-_1.1.1.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/29a0679b70da6eda45c05b5b53d79b1b7dbb2bc46ffa726e974d073309f24fb0/-_1.1.3.png" data-mid="252184973" border="0"  src="https://freight.cargo.site/w/1000/i/29a0679b70da6eda45c05b5b53d79b1b7dbb2bc46ffa726e974d073309f24fb0/-_1.1.3.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/275b6c4a015a47135a8fb22ee6b57841cdd4e610916d4795f783ebcff5f5dc51/-_1.1.2.png" data-mid="252184972" border="0"  src="https://freight.cargo.site/w/1000/i/275b6c4a015a47135a8fb22ee6b57841cdd4e610916d4795f783ebcff5f5dc51/-_1.1.2.png" /&#62;

	
	&#38;lt;La Plante dansante de désastres&#38;gt;&#38;lt;La Plante dansante de désastres&#38;gt; is a live-action sound film based on the performance 【La plante dansante de désastres】. The images of the sea, filmed in Buan, North Jeolla Province, create a mise-en-scène distinct from that of the monochromatic light stage. It was screened at the 27th Jeonju International Film Festival. ☞ Jeonju International Film FestivalDirectorJO Seon-ah, PARK SyeyoungProducerPARK SyeyoungFilm ScoreJO SeonahEditorPARK SyeyoungSoundJO SeonahCastJO Seonah
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		<title>Performance</title>
				
		<link>https://seonahjo.com/Performance</link>

		<pubDate>Tue, 25 Mar 2025 08:52:56 +0000</pubDate>

		<dc:creator>eco-echo</dc:creator>

		<guid isPermaLink="true">https://seonahjo.com/Performance</guid>

		<description>
	Performance
	Momentary Stillness
	2025

	
&#60;img width="3024" height="1964" width_o="3024" height_o="1964" data-src="https://freight.cargo.site/t/original/i/0cef7f53a2d0f7febef02e64130a4692e88e821798421b9036fd2fd11281e1a5/-2026-09-14--5.25.59.png" data-mid="252187330" border="0"  src="https://freight.cargo.site/w/1000/i/0cef7f53a2d0f7febef02e64130a4692e88e821798421b9036fd2fd11281e1a5/-2026-09-14--5.25.59.png" /&#62;
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&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/1cff3d74f268f8ac16ab8d39872a3c81cd2eacb6eaea6b193069d5361a1181f1/DSCF8081.jpg" data-mid="252187327" border="0"  src="https://freight.cargo.site/w/1000/i/1cff3d74f268f8ac16ab8d39872a3c81cd2eacb6eaea6b193069d5361a1181f1/DSCF8081.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/565c08c40ece093b81a5a3e65cdc068be6135618b2c9ca4b9731f55823f4f702/90DSCF8066.jpg" data-mid="228756449" border="0"  src="https://freight.cargo.site/w/1000/i/565c08c40ece093b81a5a3e65cdc068be6135618b2c9ca4b9731f55823f4f702/90DSCF8066.jpg" /&#62;

	【Momentary Stillness】 “The origin of music is Heaven; it is granted to humankind, emerging from emptiness and completed through nature…” —From the first sentence of Akhak Gwebeom, a 15th-century Korean music treatise. In East Asian philosophy, music is not composed by humans but arises from the breath of the cosmos. Sound is already present in the universe—it flows into the world through the living body. In this piece, the artist becomes a medium through which the sound of the gayageum unfolds. The flowing sonic currents, like wind or water, are briefly caught and unfurled. These ephemeral vibrations fade quickly into silence, just as the wind ultimately ceases. Through gayageum, the artist does not seek to “compose” in a Western sense but to momentarily select from an infinite field of cosmic resonance. The act of pausing in the middle of constant flow to listen to space and sound is a methodology for composition—and also a way to truly inhabit the present.Duration: 120 minutesPerformances: 4 timesMedium: Traditional improvised playing techniques, field recording, installationNodeul Island, SeoulConcept, installation, Improvisation, Sound design &#124; Jo Seon Ah☞ deocumentary footage“Developed for the group exhibition Breath: Garden of Respiration, with contribution to the curatorial concept”【찰나의 고요】“음악은 하늘에서 나와서 사람에게 붙인 것이요, 공허한 데서 출발하여 자연에서 이루어지는 것이니…“ 악학궤범의 첫 문장이다. 동양에서 음악은 사람이 작곡하는 것이 아닌, 우주에 이미 존재하는 음향이 숨쉬는 몸을 통해 나오는 것이다. 작가는 살아있는 바람, 혹은 물이 되어 가야금을 흐르는 소리들을 붙잡아 늘어놓는다. 놓여진 소리들은 금세 울림이 멎어 사라진다. 바람이 되어 끝내 멈춘다. 작가는 가야금을 통해 소리를 나열하는 매개자가 됩니다. 무한히 흐르는 우주의 음향 속에서 찰나의 멈춤을 고르는 일은 작가가 곡을 만드는 방법론이기도 합니다. 흐르는 순간 속에 잠시 멈춰 공간의 음향을 들어보는 것, 현재에 존재하는 방법 중 하나입니다.120분 4회 전통 어법의 즉흥 연주, 필드레코딩, 설치 


</description>
		
	</item>
		
		
	<item>
		<title>Sound Installation</title>
				
		<link>https://seonahjo.com/Sound-Installation-1</link>

		<pubDate>Tue, 15 Sep 2026 16:06:52 +0000</pubDate>

		<dc:creator>eco-echo</dc:creator>

		<guid isPermaLink="true">https://seonahjo.com/Sound-Installation-1</guid>

		<description>
	Sound Installation
	Wind, Flow, Body
	2025

	
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	【Wind, Flow, Body】 The Korean word pungryu (風流), often translated as “elegant enjoyment” or “poetic flow,” is frequently associated with music—perhaps because the intangible, elusive nature of sound resembles that of the wind. In Baram-san (Wind Mountain)(1), where inhalations and exhalations of wind are active and constant, sounds emerge from the gayageum through the body of the performer, flowing like wind or water. Like an egret hopping over river stones under fluttering willows, the audience is invited to lie down in the metaphorical landscape of Baram-san and experience a moment of suspended time—a dreamlike journey through imagined scenery.(1) Baram-san is a hill located in Seodaemun-gu, Seoul, where the 2022 outdoor exhibition “Singmul” was held. In this Nodul Island exhibition, it is reimagined as a surreal spacetime drawn from the poetic universe of pungnyu. It is a soundscape installation in which the sound of the gayageum is resonated by the wind from an electric fan, accompanied by field recordings collected by the artist. Visitors are invited to lie down and spend time in a reclining space designed for one person, installed within the exhibition venue. A two-day performance in connection with the exhibition will be held on 11th and 12th.Concept, installation, Sound design &#124; Jo Seon-Ah“Developed for the group exhibition Breath: Garden of Respiration, with contribution to the curatorial concept”☞ deocumentary footage&#38;nbsp;【흐르는 바람에 몸을 뉘어】흔히 풍류(風流)는 음악에 비유되곤 하는데, 보이거나 잡히지 않는 소리의 물성이 바람과 비슷하기 때문일지도 모른다. 들숨과 날숨이 활발히 일어나고 있는 바람산(1). 연주자의 몸을 통과해 가야금 줄을 튕겨 나오는 소리들은 바람처럼, 혹은 강물처럼 흐르고 있다. 버드나무가 흐드러진 강변에서 징검돌을 밟으며 노닐던 백로처럼―바람산에 누워 시간이 멈춘 산수(山水)를 유람하는 와유((臥遊)의 방식을 제안한다. (1) 2022년 전시 [싱물]의 장소로 서울 서대문구에 위치한 산이다. 이번 노들섬 전시에서는 풍류세계에서 묘사되는 초현실적인 시공간으로 설정했다.  선풍기 바람이 가야금을 울려 나는 소리와 작가가 채집한 필드레코딩 사운드가 재생되는 사운드스케이프 전시입니다. 전시 공간에 설치된 1인을 위한 와유공간에 누워 시간을 보낼 수 있습니다. 11일─12일 이틀간 전시 연계 퍼포먼스가 진행됩니다.


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	<item>
		<title>Sound</title>
				
		<link>https://seonahjo.com/Sound-2</link>

		<pubDate>Tue, 15 Sep 2026 16:28:50 +0000</pubDate>

		<dc:creator>eco-echo</dc:creator>

		<guid isPermaLink="true">https://seonahjo.com/Sound-2</guid>

		<description>
	Sound
	The Masked Monster
	2025


	
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	&#38;lt;The Masked Monster&#38;gt; (color ver.)This is a feature film directed by Park Syeyoung. It was screened with a live musical performance at the 13th Muju Mountain Film Festival in 2025. 
☞ performance documentation☞ sound
DirectorPARK SyeyoungProducerPARK SyeyoungFilm ScoreJO SeonahEditorPARK SyeyoungSoundJO SeonahCastPARK Syeyoung
</description>
		
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